Thrown Stone Theatre Company is pleased to announce RVNAHealth President and CEO Theresa Santoro, and Ridgefield Conservatory of Dance Executive Director Amy Piantaggini as the inaugural honorees of the Thrown Stone New Connections Award.
The New Connections Awards were envisioned to recognize individuals who exemplify Thrown Stone’s values and our mission to move, connect, and challenge all who join our theatrical conversation. Each year, the award will focus on a distinct theme that harmonizes with our season. In 2022, that theme is Mentoring Young Women.
The inaugural honorees have distinguished themselves over a number of years as mentors, and have each selected a mentee, who will present their awards in a short ceremony following our opening night performances. Melissa Woodhouse will present Ms. Santoro with her award on July 15th, after the performance of Athena by Gracie Gardner. Nell Walton will present Ms. Piantaggini with her award on July 22nd, after the performance of Hysterical! by Elenna Stauffer.
Thrown Stone is grateful to these mentors who make a profound difference in our region, and we are delighted to celebrate their work with this award.
About the Honorees
Theresa Santoro has led RVNAHealth with vision, energy and compassion since 2007. She joined the agency in 1999 as a visiting registered nurse, and later served as director of clinical services and vice president of clinical operations. Relying on her 25-plus years of clinical and administrative nursing experience, Theresa has evolved and advanced RVNAhealth to become the dynamic, responsive provider of lifelong wellness services and preventative care that it is today.
Under Theresa’s leadership, RVNAhealth has expanded to offer a broad range of community clinics and wellness programs, and introduced RVNAhealth StayingWELL Caregiving Services, RVNAhealth ComfortWELL Hospice Services, and the RVNAhealth Rehabilitation & Wellness Center. Recognizing that RVNAhealth must continually grow to meet the challenges of an aging population, a dynamic healthcare landscape, and ever-expanding home and community health care needs, she guided the agency forward with the construction of a new $10 million, 23,000 square foot facility in 2016.
To fully reflect the agency’s breadth in both services offered and geographic coverage, in 2019 Theresa led a strategic rebranding: The agency known as RVNA (Ridgefield Visiting Nurse Association) became RVNAhealth. In 2020 RVNAhealth merged with New Milford Visiting Nurses and Bethel Visiting nurses and now RVNAhealth serves 35+ towns with over 500 employees. “Over the years, we have expanded to address the full continuum of care that individuals need throughout their lifetimes,” she says. “RVNAhealth better reflects the lifelong care and wellness services that we provide when, where, and how you need it.”
She received her BSN and MSN from Sacred Heart University and is a certified home care administrator. In 2006, she received the Nightingale Award for Excellence in Nursing, a statewide nursing recognition program. In 2009, she was awarded the Judith Hriceniak Award for Excellence in Nursing Leadership by the CT Association for Healthcare at Home. Sacred Heart University recognized her in 2015 with an outstanding alumni leadership award.
Amy Piantaggini has been the Executive Director of Ridgefield Conservatory of Dance since 2013, where she has taught since 2006. She trained at the Boston Conservatory and the Martha Graham School of Contemporary Dance, where she received scholarships from the Gregory Peck Foundation and as a Finalist for the Coca-Cola Award for Artistic Excellence. As a performer, Ms. Piantaggini is a former member of the Martha Graham Dance Company and the Martha Graham Dance Ensemble, in which she danced many soloist roles including “Satyric Festival Song” and “Conversation of Lovers”. Anna Kisselgoff of the New York Times said that Amy “made a luminous New York debut in Graham’s abstract view…” October 7, 1998. Amy has danced for the companies of Javier Dzul, Richard Move, and James Robey, and currently dances for Edgar Cortes Dance Theater. She received her MFA in Interdisciplinary Arts from Goddard College with a focus in early American Modern Dance and Embodiment Studies.
Amy’s teaching experience includes numerous schools including the Hartt School/University of Hartford, and as a guest teacher at Central Michigan University, Barnard College, Webster University, Dean College, and Endicott College.
At Ridgefield Conservatory, Amy has led volunteer high school dancers in biweekly dance classes with SPHERE of Connecticut since 2014. Ms. Piantaggini established RCD as a charter for National Honors Society for Dance Arts in 2016. Her popular pre-ballet program has more than quadrupled since her directorship began. At the same time, she established a class assistant program, where older dancers mentor young aspiring dancers in weekly classes. In 2018, she received the Nancy Comstock Andrews Superlative Teaching/Mentoring Award for her extensive collaborations between the Conservatory and countless Ridgefield arts organizations. She has directed and choreographed for elite performing ensembles at the Conservatory each year, with performances regularly including Somers Holocaust Memorial Commission’s Yom Hashoah event, Ann’s Place’s Festival of Trees for cancer support services, Downtown Ridgefield’s Holiday and Spring Stroll events, and for area festivals, nursing homes, and more. Her students have performed at the Palace’s Young Choreographers Festival and DanceFest, Dancers Responding to AIDS, and have even performed Martha Graham’s Steps in the Streets through a special arrangement with the Martha Graham Dance Company, as staged by Carrie Ellmore-Tallitsch and herself. Her students have gone on to BFA and BA Dance programs and professional dance careers.
Join the Celebration
Please join Thrown Stone on July 15th and July 22nd to celebrate these incredible community members and raise a glass to their accomplishments. Award presentations will take place immediately after the performances, and all ticket holders are invited to attend. Sparkling wine and dessert will be served courtesy of Cellar XV and Stacey’s Totally Baked.
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Avery Lasky is an ABT® Certified Teacher, who has successfully completed the ABT® Teacher Training Intensive in Pre-Primary through Level 3 of the ABT® National Training Curriculum. Avery Lasky received her pre-professional training at New England Ballet and Ballet Etudes here in Connecticut. She was a student of Christina Fagundes for many years, who was a Soloist with American Ballet Theatre. Avery studied ballet at many summer intensives, including Burklyn Ballet, Joffrey Ballet, Kaatsbaan, Next Generation Ballet, Boston Ballet, and Philadelphia Ballet. Avery got accepted into the Philadelphia Ballet trainee program and trained pre-professional from 2017-2019. She danced in the company performances of George Balanchine’s The Nutcracker, Sleeping Beauty, and Romeo and Juliet. She was also a part of the School of Philadelphia’s Ballet outreach performances, school performances, and many of Philadelphia Ballet’s second companies’ performances. Avery completed Boston Ballet’s Adaptive Dance Teacher Training and is currently one of the teachers for Connecticut Dance Schools, Dance 4All Abilities program, and the Ridgefield Conservatory of Dance adaptive dance program. In addition, Avery is a certified 500-hour yoga teacher with certifications in kids yoga and yoga for autism. Her passion is sharing her love of ballet to the younger generation.
Danielle Marie Fusco is an award-winning Italian-American dancer, choreographer, aerialist, and shamanic healer, renowned for her multifaceted career in commercial theatre, concert dance, arts-in-education, and holistic healing. Danielle’s off-Broadway and Equity credits include Tink at the NY Musical Festival, The Anthem at the Lynn Redgrave Theatre, and The Vanity at Theatre Row’s Clurman Theatre. She has also performed at the NY Innovative Theatre Awards, Friday Nights for STREB LAB for
Grace Reddy (formerly Liu Zhao Hui) trained at China’s national school of dance, the Beijing Dance Academy, studying classical Chinese dance and ballet under Russian masters following the Vaganova System. Upon graduation from the Academy, she joined China’s foremost dance company, the Chinese Dance Theater. During a 13-year career with the company, she toured throughout China and other Asian countries performing on stage, in movies and on television. She has been a featured dancer in many major Chinese dance productions including A Dream of Red Mansions, The Princess of Wen Cheng, Tong Que Tai, Bao Lian Deng, and Deng Xiao Ping Song Ge. She has performed as a visiting artist at universities in the United States and toured the Hawaiian Islands performing a program of classical Chinese dance under the auspices of Beijing University. After immigrating to the United States, Grace founded the Tang Yung School of Chinese Dance and has performed with the Beijing Dance Company of New York and the Zhong Mei Dance Company.
Marlon Mayers discovered his passion for dance at the age of 14 where he began his dance training when accepted into Frank Sinatra School of the Arts. While attending Frank Sinatra, he also attended Ballet Hispanico, The Abrons Arts Center and The Martha Graham school of Contemporary Dance. Graduating from Frank Sinatra School of the Arts in 2009, Marlon attended Marymount Manhattan College as a B.F.A dance major. Marlon has landed wonderful opportunities that allowed him to work with a wide range of choreographers from different styles of dance such as Jessica Lang, Laurie-Ann Gibson, Daniel Catanach, and Larry Keigwin, just to name a few. Since then he has been a Principal Dancer with the Abrons Arts Center Dance Ensemble, a Corp de Ballet dancer with Urban Ballet Theater and a freelancer with small modern dance companies based in New York City. Although Marlon loves performing he has a passion for teaching. He has had the opportunity to choreograph on the graduating class at Frank Sinatra school of the Arts as well as teach and be a mentor for the underclassmen. He has also presented his own choreography with the American Ballet Theater’s “Make a Ballet” and has submitted and showcased his works to numerous arts festivals. When not rehearsing and staging his own works, Marlon spends his time in a studio teaching and sharing great life lessons to students throughout the greater New York area.
Dona Wiley received her pre-professional dance training at the Ridgefield Conservatory of Dance in Connecticut under the direction of James Robey, and studied at many professional level summer ballet intensives including the American Ballet Theater Summer Program in New York City. Dona Wiley is an ABT® Certified Teacher, who has successfully completed the ABT® Teacher Training Intensive in Pre-Primary through Level 3 of the ABT® National Training Curriculum. As a freelance dancer, Dona currently works with the New York based dance companies Lydia Johnson Dance, Nomad Contemporary Ballet, Neville Dance Theatre, Neglia Ballet Artists, and as the rehearsal director and co-founder of CelloPointe. Her past company credits also include Connecticut Ballet, Staten Island Ballet, Felice Lesser Dance Theatre, IKADA Dance, Ballet Inc, and the Taormina Teatro Group where she enjoyed a principal dance role int he off-broadway play Tchaikovsky. Notable career highlights include performing the title role in Staten Island Ballet’s production of Carmen, as well as dancing the choreography of George Balanchine, Emery LeCrone, Gabrielle Lamb, and David Fernandez, among others. As a dance instructor Dona has taught ballet and pointe, choreographed new works, and set classical repertoire in studios throughout New York, Connecticut, and New Jersey.
Polly Kingsbury has had an extensive career in dance education. She has taught ballet, modern and jazz throughout Westchester and Connecticut. Polly spent most of her life studying and teaching at the Steffi Nossen School of Dance. During her tenure there she served in many capacities including Educational Director, Operations Director and Senior Staff Instructor. While there she hired, trained and supervised the teaching staff for the Steffi Nossen method curriculum classes and choreographed for the Junior Master Class, Concert Group and many performance groups. She was the Steffi Nossen Children’s Show director and producer from 1979-2004. Her choreography has been performed at the Performing Arts Center at Purchase College. After moving to CT in 2004 she continues to serve as a consultant there. Polly has served as the Dance Coordinator for the Rye City Public Schools teaching PAC and choreographing for musicals, revues and choral groups within the district. For many years she served as a visiting instructor for the Westchester Arts Council teaching classes and workshops for special needs groups throughout the county. Polly has taught and lectured for the Hole in the Wall Gang “COPE” weekends in Southbury, CT. Polly’s performance credits include the Barnspace Dance Project based in Katonah NY and A New Generation of Dance at the Emelin Theatre in Larchmont, NY. Since moving to CT in 2004, Polly has been an enthusiastic supporter of RCD as a guest teacher, student, rehearsal assistant, seamstress, and much more. She is thrilled to be serving in this new capacity at RCD.
Mary Beth Hansohn received her professional training at The Arlington Center for Dance in Arlington, VA, and studied ballet in the hightest level at The American Ballet Theater Summer Program in New York City, where she performed George Balanchine’s Theme and Variations. She joined The Ohio Ballet as a full member at age 18, and went on to dance in works by Heinz Poll, Donald Byrd, Laura Dean, Ann Marie DeAngelo, Lynne Taylor-Corbett, Stephen Mills, Septime Webre, Salvatore Aiello, Dermot Burke, Val Caniparoli, Jeffrey Hughes, Twyla Tharp, and Alonzo King. Mary Beth has performed with Dayton Ballet, Cincinnati Ballet, The Cleveland Opera, D.C. Contemporary Dance Festival, Neglia Ballet Artists, The Adam Miller Dance Project, The National Tap Ensemble, and Terra Firma Dance Theatre. Mary Beth performed in the 2011 Victoria’s Secret Fashion Show in New York City, which was televised on CBS. In 2014, she appeared and danced in the new television drama series “Flesh and Bone”. Mary Beth has also worked with Edouard Lock at La La La Human Steps in Montreal, and with Karole Armitage at Armitage Cone! Dance in New York City. Some of Ms. Hansohn’s favorite roles include the title role in Giselle, “Mina Harker” in Dracula, “Gerturde” in Hamlet, Le Corsaire pas de deux, “Russian Girl” in George Balanchine’s Serenade, the pas de trois from George Balanchine’s Agon, “Myrtha” in Giselle, and Unnatural Selection, a pas de deux choreographed and danced with her husband, James Graber. Mary Beth has judged dance competitions and choreographed in dance workshops across the country, and continues to teach ballet and contemporary dance in New York.
Kelly graduated Summa Cum Laude from Pace University with a B.S. in commercial dance and psychology. At Pace, she performed works by Andy Blankenbuehler, Jessica Lang, Chloe Arnold, and Jason Samuels Smith. She began her training at the Ridgefield Conservatory of Dance under James Robey, and continued her training at Fineline Theatre Arts under Elizabeth Parkinson and Scott Wise, and Mary Ann Lamb. She has also studied under Twyla Tharp, and performed works such as The Fugue and Burundi Drums. Most recently, she has been seen on the national tour of 42nd Street, which was helmed by the 2001 Tony Award-winning team of Mark Bramble and Randy Skinner. In addition, Kelly has performed with the New Bedford Festival Theatre, Ocean Professional Theatre Company, and the Carnegie Hall Exchange. Favorite credits include My Fair Lady, Singin’ in the Rain, and Crazy For You. Aside from performing, Kelly has been teaching a wide variety of styles for 5 years, from students in creative movement to adult levels.
Robyn began her training at the Ridgefield Conservatory of Dance under James Robey. Her ballet training includes summer intensives such as The Bolshoi Ballet, The Ailey School, The Gelsey Kirkland Academy of Classical Ballet, and The Central Pennsylvania Youth Ballet among others. In 2015, she was the recipient of the Patricia Schuster Award and proceeded to earn her degree in dance from Adelphi University. Robyn furthered her ballet education with private coaching under notable dancers such as Ashley Bouder, Carol Sumner, Flavio Salazar, Hilda Morales, Marnie Thomas and Tiler Peck. Robyn currently teaches for Ridgefield Academy Landmark Preschool in Westport, CT.
Amy trained at the Boston Conservatory and the Martha Graham School of Contemporary Dance, where she received scholarships from the Gregory Peck Foundation and as a Finalist for the Coca-Cola Award for Artistic Excellence. Ms. Piantaggini is a former member of the Martha Graham Dance Company and the Martha Graham Dance Ensemble, in which she danced many soloist roles including “Satyric Festival Song” and “Conversation of Lovers”. Anna Kisselgoff of the New York Times said that Amy “made a luminous New York debut in Graham’s abstract view…” October 7, 1998. Amy has danced for the companies of Javier Dzul, Richard Move, and James Robey, and currently dances for Edgar Cortes Dance Theater. Amy’s teaching experience includes numerous schools throughout New England including the Hartt School/University of Hartford and as a Graham-based master class guest instructor for Central Michigan State University, Webster University, Western Connecticut University, Endicott College, Sacred Heart University, Barnard College, and Dean College. She received her MFA in Interdisciplinary Arts from Goddard College with a focus in early American Modern Dance and Embodiment Studies. Ms. Piantaggini is a member of the National Dance Education Organization, and served on the Danbury Dance Initiative task force. She established RCD as a charter for National Honors Society for Dance Arts in 2016. Amy is the recipient of the New Connections Award in 2022 for mentoring young women and the Nancy Comstock Andrews Superlative Teaching/Mentoring Award in 2018 for her extensive collaborations between the Conservatory and countless Ridgefield arts organizations. Amy also serves as a Committee Member for the Dance Studios Mentoring Program for the National Dance Education Organization (NDEO).